Archive for the Derailers Category

We are excited to announce the musical lineup for the debut Chattahippie Music Festival, featuring the best talent in Americana, Rock, Blues, Jam, Country, Folk and Bluegrass from around the nation! With over thirty artists from ten states, this promises to be a great celebration of peace, love and music!

Northwest Georgia Bank presents the 2008 Chattahippie Music Festival featuring: Pure Prairie League, Chris Knight, The Derailers, Charlie Louvin, Walt Wilkins & The Mystiqueros, Two Tons of Steel, Elizabeth Cook, Dallas Wayne, The Gougers, Gary Nicholson, Jason Eady & The Wayward Apostles, Laura Cantrell, Buzz Cason & The Love Notes, Beggars’ Caravan, Lou Wamp, Roger Alan Wade, Dane Varese, Joe Moss, Trent Summar & The New Row Mob, Jimmy Davis, Michael Johnathon, Band of Heathens, Doug & Telisha Williams, Miles from Nowhere, Michael Hearne & South by Southwest, Tommy Alverson, Billy Block, Whitey Johnson, Penguin, Tressie Seegers, Darryl Lee Rush, and The New Binkley Brothers.

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Popularity: 30% [?]

The American Chronicle, The Derailers and Dwight Yoakam Remember Buck Owens

By Deborah Evans Price
January 30, 2008

Click to Buy- (click for full article) If imitation is the sincerest form of flattery, then inspiration is the highest form of creativity. Both elements come to play in two recent albums that achieve their excellence through celebrating the late County Music Hall of Fame member Buck Owens.

That legacy impacted, among many other artists, The Beatles, whose cover of “Act Naturally” caught the young Brian Hofeldt’s attention. “I was about 7 years old,” the future Derailers singer and lead guitarist remembered. “I’d sit down at the piano and try to bang out ‘Act Naturally,’ and my folks said, ‘You know, that’s actually a Buck Owens song.’ And I went, ‘Buck Owens? The guy from “Hee Haw”?’ I didn’t know, but I thought if The Beatles liked him, I’m going to listen to as much as I can. Buck Owens really stuck with me. I just loved his delivery and his songs. That guitar sound was just so stunning and sparkling and clear. It really spoke to me.”

The Derailers met Owens in 1995. “Our friend Casper Rawls had a Buck Owens birthday bash every year in Austin at the Continental Club,” Hofeldt related. “In 1995, he finally talked Buck into coming down to visit. Buck stood back in the corner, and when we got up onstage to do our Buck songs in the show, he came up and stood right in front of us. He was visibly touched because we had paid such direct homage to his music and even [by] the way we dressed and presented ourselves.”

Four years later, Owens invited The Derailers to be the house band for his 70th birthday bash at the Crystal Palace. The back cover of Under the Influence of Buck shows him standing in front of the stage that night, watching The Derailers and smiling. Later he joined them in the studio to record “Play Me the Waltz of the Angels,” which appears on their 1999 album Full Western Dress.

Remembering that session, Hofeldt recalled Owens telling them, “‘It’s interesting you guys picked this song to involve me with. I’d actually played guitar on the original Wynn Stewart version.’ It was a real full-circle thing for him. Of course, it was just an amazing, wonderful experience for us to be involved in a recording with Buck Owens. I can’t say enough nice things about how supportive he was to us over the years.”

In recording Under the Influence of Buck, Hofeldt said, “we did adhere pretty close to the arrangements that Buck and his Buckaroos and Ken Nelson, Buck’s producer, laid out for those songs. For so many years, we’ve been playing those songs like that, and another thing is that the sound is so specific and so unique and such a part of what we’ve taken as a part of our sound that we really wanted to, in tribute to Buck, play that sound the way it was. We felt we were approaching what we were doing in a way that Buck would be proud of. We had him on our minds the whole time.”

Both Yoakam and Hofeldt have benefited from their friend’s advice. “One thing I really remember is he said, ‘Don’t be afraid to entertain the idea of doing an outside song from another songwriter,’” Hofeldt recalled. “He said, ‘I have my own publishing company and I’m doing well with it. I wrote most of my own songs. But I never would have gotten my first No. 1 if I hadn’t gotten “Act Naturally,”‘ which was written by Johnny Russell and Voni Morrison.

As for Yoakam, the most valuable lesson imparted by Owens was “to cherish the opportunity that I’ve had to make a living performing music. Watching him enjoy what he was doing to the very end of his life, that makes it a great lesson.”

Owens actually performed at the Crystal Palace on the night he died. Shortly after ending his show, he encountered some late arrivals who had just made it down from Oregon and without hesitation went back to sing some more for them. “He played a short set and ended with ‘Big in Vegas,’” Hofeldt said, noting the song that closes The Derailers tribute album. “That was the last song that Buck ever performed. To the end, he was the ultimate entertainer.”

Click here to listen to samples of The Derailers “Under The Influence Of Buck” on www.iLike.com

Popularity: 28% [?]

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This is your chance to duct-tape the critics’ mouths shut and speak up about Austin music. Not sure whom to vote for? Turn on the radio, drop by the local record store, or club. Your favorite…Palo Duro Records…band is probably playing the music we love! Entries must be received by Thursday, January 31, 2008.

Some of our fan picks!Walt Wilkins and The MystiquerosThe Derailers

Vote Now!

Popularity: 32% [?]

Fifty Besy Country Songs

The Country Music web site 9513.com released its Top 50 Country Songs of 2007, and we’re proud to have a couple of artists in the lineup. Congrats to these artists and the excellent recordings!

#49 Big In Vegas, The Derailers, “Under The Influence of Buck”

#23 Walt Wilkins and The Mystiqueros, “Trains I Missed”

For the entire list visit the9513.com

Popularity: 35% [?]

Review by Duke Egbert

There comes a time in every young man’s life when he gets over his desire to be cool and realizes that honky-tonk music is just a whole hell of a lot of fun. Mine occurred about six years ago, and I’ve never looked back.

So it was with much anticipation that I looked forward to the new album from Austin’s The Derailers, Under The Influence Of Buck. This CD is a tribute to the band’s greatest influence, the Bakersfield sound of Buck Owens. The Derailers were the house band at Owens’ 70th birthday party, and I have to admit they have an uncanny ability to nail the sound and feel of Owens’ work perfectly; Owens’ work in stripping down country and honky-tonk to its essentials has been a major influence in American music.

Before Owens, country music was lost in a morass of sweet strings and easy listening influences, afterwards, it returned to its roots. (Just a side note: apparently someone has to come in and remind country music about every twenty years that it’s not supposed to sound like soft rock. As soon as I find out who’s responsible, I say we go smack ‘em around.)

However, this isn’t just a vanity project or a cover band festival. Instead, it’s a joyous and wide-ranging musical celebration of all things Owens. The CD has a tight, intimate sound reminiscent of playing in small, smoky roadhouses; the vocals and guitar take center stage, and Under The Influence is straightforward and a delight. The Derailers cover all of Buck’s better known songs — “Together Again,” “I’ve Got A Tiger By The Tail,” “Cryin’ Time” — but they also wander through some less-mapped territory with songs like “Who’s Gonna Mow Your Grass” from Owens’ late-sixties experimental work. Add in the raucous, foot-stomping fun of songs like “Foolin’ Around” and “Love’s Gonna Live Here” and you’ve got a musical good time.

One of the last tracks on Under The Influence Of Buck is “Johnny B. Goode,” a reminder of Owens’ belief that country and rockabilly were close relatives. This humble reviewer agrees, and wishes more musicians would remember just that. The Derailers certainly do, and that’s why Under The Influence of Buck is a damned fine CD and a damned good time.

Rating: A

Popularity: 29% [?]

Review by Duke Egbert, DailyVault.com

There comes a time in every young man’s life when he gets over his desire to be cool and realizes that honky-tonk music is just a whole hell of a lot of fun. Mine occurred about six years ago, and I’ve never looked back.

So it was with much anticipation that I looked forward to the new album from Austin’s The Derailers, Under The Influence Of Buck. This CD is a tribute to the band’s greatest influence, the Bakersfield sound of Buck Owens. The Derailers were the house band at Owens’ 70th birthday party, and I have to admit they have an uncanny ability to nail the sound and feel of Owens’ work perfectly; Owens’ work in stripping down country and honky-tonk to its essentials has been a major influence in American music.

Before Owens, country music was lost in a morass of sweet strings and easy listening influences, afterwards, it returned to its roots. (Just a side note: apparently someone has to come in and remind country music about every twenty years that it’s not supposed to sound like soft rock. As soon as I find out who’s responsible, I say we go smack ‘em around.)

However, this isn’t just a vanity project or a cover band festival. Instead, it’s a joyous and wide-ranging musical celebration of all things Owens. The CD has a tight, intimate sound reminiscent of playing in small, smoky roadhouses; the vocals and guitar take center stage, and Under The Influence is straightforward and a delight. The Derailers cover all of Buck’s better known songs — “Together Again,” “I’ve Got A Tiger By The Tail,” “Cryin’ Time” — but they also wander through some less-mapped territory with songs like “Who’s Gonna Mow Your Grass” from Owens’ late-sixties experimental work. Add in the raucous, foot-stomping fun of songs like “Foolin’ Around” and “Love’s Gonna Live Here” and you’ve got a musical good time.

One of the last tracks on Under The Influence Of Buck is “Johnny B. Goode,” a reminder of Owens’ belief that country and rockabilly were close relatives. This humble reviewer agrees, and wishes more musicians would remember just that. The Derailers certainly do, and that’s why Under The Influence of Buck is a damned fine CD and a damned good time.

Rating: A

Popularity: 24% [?]